The Design Pattern Upclose




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Face Masks and the Importance of print and color

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When the COVID 19 suddenly impacted the whole world. With the shortage of face masks people were trying to figure out how to provide/produce proper PPE  for essential workers and our front liners. With the shortage of  face masks along with many community members of  Richmond Virginia I decided to become  member of  RVA masks for health. We covered requests with specific guidelines from hospitals, front liners, retirement homes pretty much all essential workers needs.  I noticed that each facility had style & color requirements. However they would utilize whatever was offered when it came to color or print. As the masks became the norm it was evident, at least for me, that since it had become mandatory to wear it indoors specifically, it became an accessory that impacted our choices in buying  the perfect fabric (if stitching it yourself) Tried picking out the print, color and style that resonated with us the most.  These are some of the prints I used for stitching for my kids and
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Sussi the traditional weaving pattern

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Back when I was a student my weaving teacher had asked us to re invent a traditional woven pattern called "Sussi" famous in interior Sindh where the threads are predominately colorful or single colored with patterns made out of white and black threads only. However as time and culture evolved so did the design and color patterns. These are my takes on it. The first colorful pattern with various material insertions is a table cloth finished with an orange handwoven lace and the second is a recently woven shawl for a customer on a similar design pattern but with a grey background. My love for creating hand product shas grown immencely.
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